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課程名稱 |
民族誌選讀：音樂的流動性
Selected Readings in Ethnography: Mobility of Music |
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開課學期 |
100-2 |
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授課對象 |
文學院 音樂學研究所 |
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授課教師 |
呂心純 |
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課號 |
Music5089 |
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課程識別碼 |
144 U1170 |
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班次 |
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學分 |
3 |
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全/半年 |
半年 |
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必/選修 |
選修 |
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上課時間 |
星期二3,4,@(10:20~) |
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上課地點 |
博雅311 |
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備註 |
總人數上限：15人
外系人數限制：15人 |
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Ceiba 課程網頁 |
http://ceiba.ntu.edu.tw/1002ethnography |
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課程簡介影片 |
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核心能力關聯 |
本課程尚未建立核心能力關連 |
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課程大綱
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為確保您我的權利,請尊重智慧財產權及不得非法影印
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課程概述 |
本課程旨在探討當代音樂的流動多元現象，特別針對在時空上，隨著歷史、人口遷徙及全球化市場、抑或甚至隨著文化想像而游移的音樂，進行多方的思考與理論探索。主要探討的議題包括集體和個體認同、文化抵抗、文化記憶、傳統建構、資本主義、跨文化音樂融合等，並透過民族誌寫作實例的介紹，闡析如何將理論應用至實務的知識生產面，亦帶領學生評估理論應用的適切性與合理性。 |
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課程目標 |
藉由爬梳多元音樂流動現象的音樂民族誌文獻與理論分析，本課程希冀能培養學生對當代音樂流動的敏感度，藉此引導學生深入民族誌的研究方法、理論應用與寫作實踐，並增強學生對於音樂行動主義及多點域音樂實踐等田野現實的理解。同時，亦透過另類音樂民族誌的閱聽（包括反省民族誌與音樂民族誌影片）與討論，引導學生跳脫寫作框架，反思文化知識再現的多元可能。這門課程設計給已經具備基本民族音樂學知識的研究生。 |
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課程要求 |
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預期每週課後學習時數 |
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Office Hours |
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指定閱讀 |
第一週 課程導論：音樂的時空流動
第二週 音樂民族誌建構的知識論
Clifford, James. 1986. “Introduction: Partial Truths.” In Writing Culture: The Poetics and Politics of Ethnography, edited by James Clifford and George Marcus, 1–26. Berkeley: University of California Press.
呂心純，〈導論：流動中的音樂〉，《未褪色的金碧輝煌—緬甸古典音樂傳統的再現與現代性》，台北：台大出版中心。（審查中、尚未出版）
第三週 流動音樂的當代民族誌研究：方法與視野
Rice, Timothy. 2003. “Time, Place, and Metaphor in Musical Experience and Ethnography.” Ethnomusicology 47(2): 151-79.
湯亞汀，二○○八，〈第十章：城市音樂人類學〉，《音樂人類學：歷史思潮與方法論》，上海：上海音樂院出版社。
第四週 人的遷徙與認同（一）【集體性】鄉愁理論、行動主義及地方建構
Stokes, Martin. 1994. “Introduction: Ethnicity, Identity, and Music.” In Ethnicity, Identity, and Music, 1-27. New York: Berg Publishers.
Post, Jennifer. 2007. “‘I Take My Dombra and Sing to Remember my Homeland’: Identity, Landscape and Music in Kazakh Communities of Western Mongolia.” In Musical Performance in the Diaspora, edited by Tina K. Ramnarine, 45-69. New York: Routledge.
第五週 人的遷徙與認同（二）【集體性】音樂慶典化及文化政治
李明宗，2010，〈台灣節慶活動的形貌──休閒社會學觀點的詮釋〉，《運動文化 研究》第十三期，頁85-110。
蔡政良，2010，〈Makapahay a calay（美麗之網）：當代都蘭阿美人歌舞的 生活實踐〉，《民俗曲藝》，第一五六期，頁31-83。
呂心純，2011，〈以音樂作為一種離散社會空間：台灣中和地區緬甸華僑的音景 與族裔空間建構〉，《民俗曲藝》，第一七一期，頁11-62。
第六週 人的遷徙與認同（三）【個體性】
Stock, Jonathan. 2001. “Toward an Ethnomusicology of the Individual, or Biographical Writing in Ethnomusicology.” The World of Music 43(1): 5-19.
Lee, Tong Soon. 2009. “Grace Liu and Cantonese Opera in England.” In Lives in Chinese Music, edited by Helen Rees, 119-44. Urbana: University of Illinois.
第七週 放假週
第八週 另類民族誌（一）反省民族誌
Keil, Charles. 1983. Tiv Song: The Sociology of Art in a Classless Society. Chicago: University of Chicago.
Kippen, James. 2008. “Working with the Masters.” In Shadows in the Field: New Perspectives for Fieldwork in Ethnomusicology, edited by Gregory Barz & Timothy J. Cooley, 125-66. New York: Oxford University Press.
第九週 另類民族誌（二）音樂民族誌影片—人類學家與民族音樂學家取徑異同
民族音樂學家的民族誌影片 Amy Catlin-Jairazbhoy: From Africa to India: Sidi Music in the Indian Ocean Diaspora.
人類學家的民族誌影片—胡台麗《愛戀排灣笛》、蔡政良《阿美嘻哈》及劉斐玟《女書回生》
第十週 音樂作為文化抵抗（一） 時空失落
Taylor, Timothy. 2003. “Strategies of Resistance.” In Global Pop, World Music, World Markets, 82-97. New York: Routledge.
Baranovich, Nimrod. 2009. ”Compliance, Autonomy, and Resistance of a ‘State Artist’.“ In Lives in Chinese Music, edited by Helen Rees, 173-212. Urbana: University of Illinois.
第十一週 音樂作為文化抵抗（二）文化想像與傳統重建
Clifford, James. 1997. Routes: Travel and Translation in the Late Twentieth Century. Cambridge, MA: Harvard University Press.
呂心純，〈第五章：日常政治下的抗詰藝術〉，《未褪色的金碧輝煌—緬甸古典音樂傳統的再現與現代性》，台北：台大出版中心。（審查中、尚未出版）
第十二週 全球化音樂工業（一）資本主義
George Lipsitz. 2007. “Pop Stars: The Hidden History of Digital Capitalism.” In Footsteps in the Dark. Minnesota: Minneapolis, 1-25.
Wong, Deborah. 2006. “East Asian Modernities, or How Traditional Musics Go Global.” Paper presented at the International Conference of East Asian Music and Modernity. The 2006 Asia Pacific Traditional Arts Festival, I-Lan, Taiwan.
第十三週 全球化音樂工業（二）全球在地文化
Taylor, Timothy. 2003. “Popular Music and Globalization.” In Global Pop, World Music, World Markets, 1-21. New York: Routledge.
Lin, Chien-ting. 2006. “Cultural politics of Techno Music in Taiwan: Shining 3 Girls.” Master Thesis, Graduate Institute of Foreign Literatures and Linguistics, NCTU.
第十四週 音樂文化與旅遊工業
Appadurai, Arjun. 1990. “Disjuncture and Difference in the Global Culture Economy.” Theory, Culture, and Society 7: 295-310.
Dunbar-Hall. 2006. “Culture, Tourism, and Cultural Tourism: Boundaries and Frontiers inperformances of Balinese Music and Dance.” In Ethnomusicology: The Reader, 55-65.
第十五週 跨文化音樂融合 (collaboration)
Roseman, Marina. 2004. “Intercultural Challenges: Homelands and Crossroads.” In Narrative/Performance: Cross-Cultural Encounters at APPEX, edited by Anoosh Jorjorian, 169-78. Los Angeles: Center for Intercultural Performance, University of California at Los Angeles.
Bharucha, Rustom. 2006 (2002 1st Edition). “‘Asia is One’: Critical Notes on Inter-Asian ‘Creative Unity.’” In the Proceeding of the 2000 Asia-Pacific Arts Forum: 391-98. Taipei: The Taipei National University of the Arts.
第十六週 游移下的新現象
Ramnarine, Tina Karina. 1996. “‘Indian’ Music in the Diaspora: Case Studies of
‘Chutney’ in Trinidad and in London.” British Journal of Ethnomusicology 5: 133-53.
Sugarman, Jane. 2004. “Diasporic Dialogues: Mediated Musics and the Albanian Transnation. In Identity and the Arts in Diaspora Communities, edited by Thomas Turino and James Lea, 21-38. Warren, Michigan: Harmonie Park Press.
黃國超，2007，〈混種的音樂，越界的交流：1950-60年代山地林班歌與現代敘事〉，宣讀於 「跨領域對談：全球化下的臺灣文學與文化研究研討會」。 |
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參考書目 |
Anderson, Benedict. 1991. Imagined Communities: Reflections on the Origin and Spread of Nationalism. London: Verso.
Bakan, Michael. 1999. Music of Death and New Creation: Experiences in the World of Balinese Gamelan Beleganjur. Chicago: University of Chicago Press.
Bennett, Andy. 2001. Cultures of Popular Music. Maidenhead, Berkshire [UK]: Open University Press.
Blacking, John. 1973. How Musical is Man? Seattle: University of Washington Press.
Blum, S. 1975. “Towards a Social History of Musicological Technique.” Ethnomusicology 19: 207-31.
Brubaker, Rogers. 2005. “The ‘Diaspora’ Diaspora.” Ethnic and Racial Studies 28(1): 1-19.
Carolyn Ellis & Arthur P. Bochner (editors). 1996. Composing Ethnography: Alternative Forms of Qualitative Writing. Walnut Creek, CA: Altamira Press.
Cohen, Robin. 1997. Global Diapora: An Introduction. Seattle: University of Washington Press.
Connery, Christopher. 1994. “Introduction: Asia/Pacific as Space of Cultural Production.” Boundary 2 21(1): 30-56.
Erlmann, Veit. 1996. Nightsong: Performance, Power, and Practice in South Africa. Chicago: University of Chicago Press.
Feld, Steven. 1990. Sound and Sentiment: Birds, Weeping, Poetics, and Song in Kaluli Expression. Philadelphia: University of Pennsylvania Press.
Forman, Murray. 2002. The ‘Hood Comes First: Race, Space, and Place in Hip-Pop. Middeletown, CT: Wesleyan University Press.
Gaonkar, Dilip Parameshwar. 2001. Alternative Modernities. Durham: Duke University Press.
Georgiou, Myria. 2006. Diaspora, Identity and the Media: Diasporic Transnationalism and Mediated Spatialities. Cresskill, New Jersey: Hampton Press.
Giddens, Anthony. 1991. Modernity and Self-Identity, Self and Society in the Late Modern Age. Stanford, CA: Stanford University.
Haraways, Donna. 1988. “Situated Knowledges: The Science Question in Feminism and the Privilege of Partial Perspective.” Feminist Studies 14: 575-99.
Hobsbawm, Eric and Terence Ranger. 1983. The Invention of Tradition. New York: Cambridge University Press.
Kearney, Michael. 1991. “Borders and Boundaries of State and Self at the End of Empire.” Journal of Historical Sociology 4(1): 52-74.
Laguerre. Michel. 2006. Diaspora, Politics, and Globalization. Gordonsville, VA: Palgrave Macmillan.
Marcus, George. 1995. “Ethnography in/of the World System: The Emergence of Multi-Sited Ethnography.” Annual Review of Anthropology 24: 95-117.
Marcus, George, and Michael Fischer. 1986. Anthropology as Cultural Critique: An Experimental Moment in the Human Science. Chicago: University of Chicago Press.
Monson, Ingrid. 2000. The African Diaspora: A Musical Perspective. New York:
Garland Publishing.
Nasreddin-Longo, Ethan. 1995. “Selfhood, Self-identity, Complexion, and Complication: The Contexts of a Song Cycle by Olly Wilson.” Black Music Research Journal 15(1): 75-92.
Ong, Aihwa, and Donald M. Nonini, editors. 1997. Ungrounded Empires: The Cultural politics of Modern Chinese Transnationalism. New York: Routledge.
Pan, Lynn. 1990. Sons of the Yellow Emperor: A History of the Chinese Diaspora. Boston: Little, Brown.
Paul Gilroy. 1993. The Black Atlantic: Double Consciousness and Modernity. Cambridge Mass: Harvard University Press.
Scott, James C. 1990. Domination and the Arts of Resistance: Hidden Transcripts. New Haven, CT: Yale University Press.
Shelemay, Kay Kaufman. 2006 (2001 1st edition). Soundscapes: Exploring Music in a Changing World. New York: W.W. Norton & Company.
Slobin, Mark. 1993. Subcultural Sounds: Micromusics of the West. Hanover, NH: University Press of New England.
Stock, Jonathan. 1996. Musical Creativity in Twentieth-Century China: Abing His Music, and Its Changing Meanings. Rochester, NY: University of Rochester Press.
Tololyan, Chachig. 1991. “The Nation-state and Its Others: In Lieu of a Preface.” Diaspora 1(1): 3-7.
———. 1996. “Rethinking Daspora(s): Stateless Power in the Transnational Moment.” Diaspora 5(1): 3-36.
Turino, Thomas. 1993. Moving Away from Silence: Music of the Peruvian Altiplano and the Experience of Urban Migration. Chicago: University of Chicago Press.
———. 2004. “Introduction: Identity and the Arts in Diaspora Communities.” In Identity and the Arts in Diaspora Communities, edited by Thomas Turino and James Lea, 3-19. Warren, Michigan: Harmonie Park Press.
Wong, Deborah. 2004. Speak It Louder: Asian Americans Making Music. New York: Routledge.
Wilson, Rob, and Arif Dirlik. 1994. “Introduction: Asia/Pacific as Space of Cultural Production.” Boundary 21(1): 1-14.
Wong, Deborah. 2004. Speak It Louder: Asian Americans Making Music. New York: Routledge. |
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評量方式
(僅供參考) |
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No. |
項目 |
百分比 |
說明 |
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1. |
出席與課堂報告 |
30% |
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2. |
閱讀心得報告（選三週） |
30% |
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3. |
期末報告：民族誌實作與理論應用 |
40% |
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週次 |
日期 |
單元主題 |
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第1週 |
2/21 |
課程導論：音樂的時空流動 |
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第2週 |
2/28 |
放假週 |
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第3週 |
3/06 |
音樂民族誌建構的知識論 |
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第4週 |
3/13 |
流動音樂的當代民族誌研究：方法與視野 |
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第5週 |
3/20 |
人的遷徙與認同（一）【集體性】地方建構及行動主義 |
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第6週 |
3/27 |
人的遷徙與認同（二）【集體性】音樂慶典化及文化政治 |
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第7週 |
4/03 |
放假週 |
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第8週 |
4/10 |
另類民族誌（一）另類書寫與反省民族誌 |
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第9週 |
4/17 |
另類民族誌（二）音樂民族誌影片—人類學家與民族音樂學家取徑異同 |
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第10週 |
4/24 |
音樂作為文化抵抗（一） 時空失落 |
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第11週 |
5/01 |
音樂作為文化抵抗（二）文化想像與傳統重建 |
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第12週 |
5/08 |
全球化音樂工業（一）資本主義 |
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第13週 |
5/15 |
全球化音樂工業（二）全球在地化 |
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第14週 |
5/22 |
音樂文化與旅遊工業 |
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第15週 |
5/29 |
跨文化音樂融合 (collaboration) |
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第16週 |
6/05 |
游移下的新現象 |
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第17週 |
6/12 |
期末報告 |
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第18週 |
6/19 |
期末報告 |
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